Sexuality, the Female Gaze, and the Arts: Women, the Arts, and SocietyRonald L. Dotterer, Susan Bowers Susquehanna University Press, 1992 - 191 páginas Female sexuality as expressed both in the art of women and in images of women in art is the focus of this collection of thirteen essays -- the second in a three-volume series on women, the arts, and society. The idea that art created by a woman has a particular relationship to the female body is explored by most of these essays. |
Contenido
3 | |
11 | |
Postmodern Sexuality Seidelman and Madonna | 29 |
Photographing Women in The Unbearable Lightness of Being | 45 |
in Mainstream Cinema | 56 |
Romance Subversion Eighteenth Century Feminine Fiction | 67 |
Womans Voice and the Myth of Echo | 79 |
Three Old FrenchOvidian Heroines In Quest of Personal Freedom | 94 |
Women Poetry and Society in the Work of Adrienne Rich | 107 |
Elizabeth Barrett Brownings New Eve | 119 |
Feminine in Spanish Romantic Theater The Example of Macias | 137 |
Women In Conflict In Marie von EbnerEschenbachs Tales | 147 |
Images of the Double In Womens Poetry | 158 |
Contributors | 177 |
Index | 180 |
Otras ediciones - Ver todas
Sexuality, the Female Gaze, and the Arts: Women, the Arts, and Society Ronald L. Dotterer,Susan Bowers Vista de fragmentos - 1992 |
Sexuality, the Female Gaze, and the Arts: Women, the Arts, and Society Ronald L. Dotterer,Susan Bowers Vista de fragmentos - 1992 |
Términos y frases comunes
Adrienne Rich Anne Sexton artist asserts Barrett Browning Barrett Browning's Beauvoir becomes body camera characters Cinema Cixous creative culture Dané Denise Levertov desire Desperately Seeking Susan disguise double Ebner-Eschenbach Echo Echo's Eliza Haywood Elizabeth Barrett Elizabeth Barrett Browning essay Eve's father female spectator female wild zone feminine feminist film film's gaze gender grotesque Haywood Helen Hélène Cixous hero heroine human husband Ibid identity imagination Julia de Burgos Juno language Levertov literary literature live look Macdonald Macías madness male Margret Marie von Ebner-Eschenbach Mary mirror mother myth narcissism narcissistic Narcissus narrative novel object Ovid Ovid's patriarchal Philomena Piramus poem poet poetry Procné quest reader reading represents Rich Roberta role romance romance genre Sabina scene Seidelman's Sexton shadow social society story subversive Susquehanna University symbolic Tereus Tereza tion Tisbé tradition University Press vision voice wife woman women words writing York
Pasajes populares
Página 12 - When I speak of the erotic, then, I speak of it as an assertion of the lifeforce of women; of that creative energy empowered, the knowledge and use of which we are now reclaiming in our language, our history, our dancing, our loving, our work, our lives.
Referencias a este libro
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Vista previa limitada - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Vista de fragmentos - 1997 |