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Achilles Æneas Æneid Ajax alluded Apollo appears authentic plays Cæs called Caxton Centaurs character Chaucer classical mythology conception Cupid Cymb definite Diana Dido drama epithet Fasti Gent Golding Golding's greater divinities Greek Hades Hecate Hecuba Hercules Hero Hero and Leander Homer humorous Ilium instances Jove Juno Jupiter Latin Lethe lines Lucr Mars masque Medea Mediævalism mentioned Merch Merchant of Venice Mercury Mids myth mythological allusions nature-myth Neptune night noticed occur Orpheus Ovid Ovid and Vergil Ovid's Ovidian allusion Ovidian story passage passim Perseus personification Ph.D Phoebus phrase playful poem poet Priam Proserpina referred says Shake Shakespeare Shakespearian Sibyl Sonn speare speeches spoken suggests Tereus Theseus thou tion translation Troil Troilus and Cressida Trojan war Troy twice Ulysses Venus and Adonis Vergil Vergilian Wint
Página 44 - Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes, but with the mind ; And therefore is wing'd Cupid painted blind...
Página 83 - Creep in our ears : soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold : There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins ; Such harmony is in immortal souls ; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it. Enter Musicians. Come, ho ! and wake Diana with a hymn : With sweetest touches...
Página 102 - t or give 't away were such perdition As nothing else could match. Des. Is 't possible ? Oth. 'T is true : there 's magic in the web of it : A sibyl, that had number'd in the world The sun to course two hundred compasses, In her prophetic fury sew'd the work ; The worms were hallow'd that did breed the silk ; And it was dyed in mummy which the skilful Conserved of maidens
Página 6 - The moon shines bright : — In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise...
Página 51 - O, full of scorpions is my mind, dear wife ! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet ; they are assailable ; Then be thou jocund : ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
Página 8 - Put out the light, and then put out the light. If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me; but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.
Página 97 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Página 89 - Since nought so stockish, hard, and full of rage, But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit are dull as night, And his affections dark as Erebus : Let no such man be trusted.
Página 34 - For valour, is not love a Hercules, Still climbing trees in the Hesperides ? Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair ; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony.
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Shakespeare's Use of Learning: An Inquiry Into the Growth of His Mind & Art
Virgil Keeble Whitaker
Vista de fragmentos - 1953