The Modern Language Review, Volumen17John George Robertson, Charles Jasper Sisson Modern Humanities Research Association, 1922 The Modern Language Review (MLR) is an interdisciplinary journal encompassing the following fields: English (including United States and the Commonwealth), French (including Francophone Africa and Canada), Germanic (including Dutch and Scandinavian), Hispanic (including Latin-American, Portuguese, and Catalan), Italian, Slavonic and East European Studies, and General Studies (including linguistics, comparative literature, and critical theory). |
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The Modern Language Review, Volumen9 John George Robertson,Charles Jasper Sisson Vista completa - 1914 |
Términos y frases comunes
Aethelstan alliteration Andrew Marvell Anlaf appears Arnim back-formation ballad Battle of Brunanburh bien Cambridge century chapter Chronicles Coleridge Coll Comédie-Française crist criticism Dante death dialect doubt edition editors Egilssaga emendation Engl England English evidence fact Föhr folio forto French Fris German Goethe Guy of Warwick Havelok holmgang instance King language later Latin Lekain letter literary literature London lord M. L. R. XVII Metrical Psalter Milford Mlle Clairon modern Molière nature Olaf Tryggvason original Oxford Paris passage perhaps phrase play Plutarch poem poet poetry Press printed probably prose Psalm qu'il quoted reader reference revision Rolle Rolle's Romance Ronsard rrey says Scandinavian Schiller seems sense Shakespeare single combat St Albans story suggested Surrey Surrey's Sylt textual tradition translation Univ verb verse Vulgate words writer þat
Pasajes populares
Página 188 - He being thus lorded, Not only with what my revenue yielded. But what my power might else exact, — like one Who having unto truth, by telling of it, Made such a sinner of his memory, To credit his own lie...
Página 7 - Trent, though no man can deny but that theirs is the purer English Saxon at this day, yet it is not so Courtly nor so currant as our Southerne English is: no more is the far Westerne mans speach.
Página 4 - For in my opinion it is one special prayse, of many whych are dew to this Poete, that he hath laboured to restore, as to theyr rightfull heritage, such good and naturall English words as have ben long time out of use and almost cleane disherited.
Página 424 - Peace Chloris, peace, or singing die, That together you and I To Heaven may go : For all we know Of what the blessed do above Is, that they sing, and that they love.
Página 258 - Make haste, my beloved, and be thou like to a roe or to a young hart upon the mountains of spices.
Página 280 - Bloß der Kunst des Ideals ist es verliehen, oder vielmehr, es ist ihr aufgegeben, diesen Geist des Alls zu ergreifen und in einer körperlichen Form zu binden. Auch sie selbst kann ihn zwar nie vor die Sinne, aber doch durch ihre schaffende Gewalt vor die Einbildungskraft bringen und dadurch wahrer sein als alle Wirklichkeit und realer als alle Erfahrung.
Página 273 - ... love as well suited to the purposes of poetry as any other passion ; but that it was a cheap way of pleasing to fix the attention of the reader through a long poem on the mere appetite.
Página 45 - ... nor whether they have beginning or ending. As they are without human passions, so they seem to be without human relations. They come with thunder and lightning, and vanish to airy music. This is all we know of them. Except Hecate, they have no names ; which heightens their mysteriousness. The names, and some of the properties, which the other author has given to his hags, excite smiles. The Weird Sisters are serious things. Their presence cannot co-exist with mirth.
Página 357 - Reform the errors of the spring: Make that the tulips may have share Of sweetness, seeing they are fair; And roses of their thorns disarm; But most procure That violets may a longer age endure. But, O young beauty of the woods, Whom nature courts with fruits and flowers, Gather the flowers, but spare the buds, Lest Flora, angry at thy crime, To kill her infants in their prime, Do quickly make th' example yours; And ere we see, Nip in the blossom all our hopes and thee.
Página 274 - The Greeks changed the ideas into finites, and these finites into anthropomorphi' or forms of men. Hence their religion, their poetry, nay, their very pictures, became statuesque. With them the form was the end.