May '68 and Its Afterlives

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University of Chicago Press, 2008 M11 26 - 247 páginas
During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications.

Kristin Ross shows how the current official memory of May '68 came to serve a political agenda antithetical to the movement's aspirations. She examines the roles played by sociologists, repentant ex-student leaders, and the mainstream media in giving what was a political event a predominantly cultural and ethical meaning. Recovering the political language of May '68 through the tracts, pamphlets, and documentary film footage of the era, Ross reveals how the original movement, concerned above all with the question of equality, gained a new and counterfeit history, one that erased police violence and the deaths of participants, removed workers from the picture, and eliminated all traces of anti-Americanism, anti-imperialism, and the influences of Algeria and Vietnam. May '68 and Its Afterlives is especially timely given the rise of a new mass political movement opposing global capitalism, from labor strikes and anti-McDonald's protests in France to the demonstrations against the World Trade Organization in Seattle.
 

Contenido

Introduction
1
1 The Police Conception of History
19
2 Forms and Practices
65
3 Different Windows Same Faces
138
4 Consensus and Its Undoing
182
List of Abbreviations
217
Bibliography
219
Index
233
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Página ix - Romanticism (2005), supported by fellowships from the John Simon Guggenheim Foundation, the National Endowment for the Humanities, and the Massachusetts Artists Foundation.

Acerca del autor (2008)

Kristin Ross is professor of comparative literature at New York University. She is the author of The Emergence of Social Space: Rimbaud and the Paris Commune and Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture.

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