Contemporary Collecting: Objects, Practices, and the Fate of Things

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Kevin M. Moist, David Banash
Scarecrow Press, 2013 M05 9 - 292 páginas
While the importance of collections has been evident in the sciences and humanities for several centuries, the social and cultural significance of collecting practices is now receiving serious attention as well. As reflected in programs like Antiques Roadshow and American Pickers, and websites such as eBay, collecting has had a consistent and growing presence in popular culture. In tandem with popular collecting, institutions are responding to changes in the collecting environment, as library catalogs go online and museums use new technologies to help generate attendance for their exhibits.

In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives.

Covering a breadth of interdisciplinary perspectives and subjects—from PEZ candy dispensers and trading cards to sports memorabilia and music—Contemporary Collecting will be of interest to scholars of cultural studies, anthropology, popular culture studies, sociology, art history, and more.
 

Contenido

On the Apparent Destruction of My MP3 Collection
3
Ch02 Collecting Curating and the Magic Circle of Ownership in a Postmaterial Culture
13
Collecting and Sharing the Lost History of Live Local Television Genres
31
PartII CHANGING RELATIONSHIPSWITH THINGS
53
Nostalgia Distinction and Collecting in the TwentyFirst Century
55
Ch05 Memory Desire and the Good Collector in PEZhead Culture
67
Collecting Secondhand
81
Collecting Thoughts on Collecting
99
Nation and Narrative in Victorian Womens Collections
173
PartIV COLLECTING PRACTICES ANDCULTURAL HIERARCHIES
193
The Curiosity Cabinet and the Romantic Museum
195
Taliesin and House on the Rock
213
Ch13 Record Collecting as Cultural Anthropology
229
Bibliography
245
Index
263
About the Editors
273

PartIII COLLECTING AND IDENTITYPERSONAL AND POLITICAL
131
A Collections Transition from Private to Public in a New Professional Baseball Stadium
133
The Privatization of Propaganda in National Socialist Cigarette Cards
151
About the Contributors
275
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Kevin M. Moist is associate professor of communications at The Pennsylvania State University – Altoona College. He has written for numerous journals, including The Journal of Popular Culture, American Studies, Journalism and Mass Communication Quarterly, and Studies in Popular Culture.

David Banash is professor of English at Western Illinois University, where he teaches courses in contemporary American literature, film, and popular culture. His essays and reviews have appeared in Postmodern Culture, Reconstruction, Bad Subjects, American Book Review, and PopMatters. His book Collage Culture: Readymades, Meaning, and the Age of Consumption is forthcoming in 2013.

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