 Since nought so stockish, hard, and full of rage, But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils ; The motions of his spirit...  Classical Mythology in Shakespeare - Página 89por Robert Kilburn Root - 1903 - 134 páginasVista completa - Acerca de este libro
 | William Shakespeare, William Hazlitt - 1852 - 566 páginas
...them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music : Therefore, the poet Did feign that Orpheus drew trees,...But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons,... | |
 | Joseph Guy - 1852 - 458 páginas
...them make a mutual stand, Their savage eyes turn'd to a modest gaze, By the sweet power of music : Therefore, the poet Did feign that Orpheus drew trees,...But music for the time doth change his nature : The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons,... | |
 | William Shakespeare - 1852 - 512 páginas
...Therefore, the рое Did feign that Orpheus drew trees, stones, anc floods; Since nought so Blockish, hard, and full of rage, But music for the time doth change his nature : The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons,... | |
 | Maria Rauschenberger - 1981 - 764 páginas
...your [Hermia 's] beauties ... ". 2Vgl. etwa MV 5.1.79 ("the sweet power of music") und 81-82: " ... nought so stockish, hard, and full of rage, / But music for the time doth change his nature ... ". Vgl. auch MND 1.1. 20-127, wo, im Zusammenhang mit Egeus ' Bitte um fürstliche Intervention,... | |
 | William Shakespeare - 1998 - 276 páginas
...harmony of natural order and the equable balance of human temperament, as in Merchant 5.1.81-8 - 'naught so stockish, hard, and full of rage ! But music for the time doth change his nature. I The man that hath no music in himself, I Nor is not moved with concord of sweet sounds, I Is fit... | |
 | Keir Elam - 1984 - 360 páginas
...MV: LOT. . . . therefore the poet Did feign that Orpheus drew trees, stones and floods, Since naught so stockish, hard and full of rage, But music for the time doth change his nature. (5.1. 79ff.) What is suggestive about Lorenzo's otherwise unsurprising allusion is 142 the quasi-philosophical... | |
 | Louis Lohr Martz - 1986 - 388 páginas
...perceive them make a mutual stand, Their savage eyes turn'd to a modest gaze By the sweet power of music: therefore the poet Did feign that Orpheus drew trees,...rage, But music for the time doth change his nature. [Vi71-82] "But O ere long," the Spirit says, Too well I did perceive it was the voice Of my most honour'd... | |
 | Edward A. Lippman - 1986 - 486 páginas
...power of music. Therefore the poet Did feign that Orpheus drew trees, stones, and floods, Since naught so stockish, hard, and full of rage But music for the time doth change his nature* If one was to gather together without all the fables the effects that tones and songs have produced... | |
 | Michael Nerlich - 1987 - 282 páginas
...and harmony reign. Lorenzo presents Jessica with the example of wild beasts made "modest" by music: therefore the poet Did feign that Orpheus drew trees,...But music for the time doth change his nature. The man that hath no music in himself, Nor is not mov'd with concord of sweet sounds, Is fit for treasons,... | |
 | Anthony Gerard Barthelemy - 1999 - 236 páginas
...power of music. Therefore the poet Did feign that Orpheus drew trees, stones and floods; Since naught so stockish, hard and full of rage But music for the time doth change his nature. The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons,... | |
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